Sarah Oppenheimer
Projects
N-02
SM-4N
N-01
S-334473
I-131311
S-011110
S-337473
S-281913
S-010100
P-02
P-01
S-399390
33-D
W-120301
D-33
MF-142
P-41
C-010106
610-3365
Info
Texts
Biography
Contact
Press
1000 Words: Sarah Oppenheimer talks about Sensitive Machine. Kastner, Jeffrey. Artforum. November 2021. pp 154-157.
At home with artist Sarah Oppenheimer. Harriet Lloyd-Smith. Wallpaper Magazine. September 17, 2021.
Green, Tyler. Episode No. 274 of The Modern Art Notes Podcast. February 2, 2017.
Rose, Julian. Sarah Oppenheimer: Perez Art Museum. Artforum. February 2017.
Galloway, Alexander. Sarah Oppenheimer. BOMB. Fall 2016.
Malick, Courtney. Sarah Oppenheimer’s Unique Brand of Institutional Friction at PAMM. Miami Rail. Fall 2016
Sarah Oppenheimer. Architectural Record. August 2014. p 104.
Rose, Julian. Mirror Travel: Julian Rose On Sarah Oppenheimer’s W-120301, 2012. Art Forum. April 2013.
Smith, Roberta. Sarah Oppenheimer’s D-33 at P.P.O.W. New York Times. October 12, 2012.
Hirsch, Faye. Sarah Oppenheimer. P.P.O.W. Art in America. December 2012.
Kastner, Jeffrey. Sarah Oppenheimer, P.P.O.W. Artforum. November 2012.
Crow, Kelly. A Baltimore Museum Becomes the Art Object. Wall Street Journal. October 19, 2012.
Green, Tyler. Baltimore Commissions Sarah Oppenheimer. artinfo.com. May 18, 2011.
Salvioni, Daniela. Our Correspondents: Italy: Sarah Oppenheimer Interview on ARTonAIR.org. June 27, 2011.
Publications
US 10,139,046 B2
Yoon, Soyoung. Buffer Zone. N-01. Verlag für moderne Kunst. 2020.
N-01. Edited with preface by Helen Hirsch. Text by Soyoung Yoon. Interview with Laurent Stalder by Simone Büsch-Küng. Verlag für moderne Kunst. 2020.
Büsch-Küng, Simone. Stalder, Laurent. On N-01. Verlag für moderne Kunst. 2020.
Kwinter, Sanford. The Doors of Perception. Sarah Oppenheimer: S-01. Annely Juda Fine Art. 2017.
Sarah Oppenheimer: S-337473. Foreword by Sherri Geldin. Introduction by Megan Cavanaugh. Text by Alexander R. Galloway, Laurent Stalder. Wexner Center for the Arts. 2017.
Stalder, Laurent. A Switch. Sarah Oppenheimer: S-337473. Wexner Center for the Arts. 2017.
Galloway. Alex. Our Best Machines Are Made of Sunshine. Sarah Oppenheimer: S-337473. Wexner Center for the Arts. 2017.
A Path of Safe Travel. Interview with William Warren by Emma James; Alexis Wilkinson; Evan Calder Williams. accessions.org. 2016.
Sarah Oppenheimer. Foreword by Dr. Stephanie Hanor; essays by Julian Rose and Stephanie Weber. Oakland, CA: Mills College Art Museum, 2015.
Rose, Julian. Sarah Oppenheimer in Perspective. Sarah Oppenheimer. Mills College Art Museum, 2015.
Weber, Stephanie. Ekphrasis. Sarah Oppenheimer. Mills College Art Museum, 2015.
Goldbach, Ines. Sarah Oppenheimer. Künstler. Kritisches Lexikon der Gegenwartskunst, Munich. 2011.
Last, Nana. There and Not. Von Bartha Quarterly. Basel, Switzerland. 2010.
Bruno, Giuliana. Clark, Robin. Automatic Cities: The Architectural Imaginary in Contemporary Art. Museum of Contemporary Art San Diego. 2009.
Clark, Robin. “Sarah Oppenheimer.” Currents 102: Sarah Oppenheimer, Saint Louis Art Museum. 2008.
Writing
Hirsch, Helen. Oppenheimer, Sarah. Invitation to a Reorientation in Space. N-01. Verlag für moderne Kunst. 2020.
Pivot and Slide. MRPJ54: Spatial Practice. Summer 2020.
Retracing the Expanded Field: Encounters between Art and Architecture. ed. Spyros Papapetros; Julian Rose, MIT Press, 2014
Giuliana Bruno. BOMB. Summer 2014.
The Array. Art in America. May 2014.
Hallway. Drawing Papers #30a, The Drawing Center, 2002.
